James Brown, the ‘Godfather of Soul,’ Dies at 73 (Published 2006) (2023)



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By Jon Pareles

James Brown, the singer, songwriter, bandleader and dancer who indelibly transformed 20th-century music, died early yesterday in Atlanta. He was 73 and lived in Beech Island, S.C., across the Savannah River from Augusta, Ga.

Mr. Brown died of congestive heart failure after being hospitalized for pneumonia, said his agent, Frank Copsidas.

Mr. Brown sold millions of records in a career that lasted half a century. In the 1960s and 1970s he regularly topped the rhythm-and-blues charts, although he never had a No. 1 pop hit. Yet his music proved far more durable and influential than countless chart-toppers. His funk provides the sophisticated rhythms that are the basis of hip-hop and a wide swath of current pop.

Mr. Copsidas said that Mr. Brown had participated in an annual Christmas toy giveaway in Augusta on Friday but had been hospitalized on Saturday. After canceling performances planned for midweek, Mr. Brown on Sunday night got his doctor’s approval to perform on Saturday in New Jersey and on New Year’s Eve at B.B. King’s nightclub in New York.

Mr. Copsidas said Mr. Brown used one of his best-known slogans to convey his dedication to his fans: “I’m the hardest working man in show business, and I’m not going to let them down.”

Through the years, Mr. Brown did not only call himself “the hardest working man in show business.” He also went by “Mr. Dynamite,” “Soul Brother No. 1,” “the Minister of Super Heavy Funk” and “the Godfather of Soul,” and he was all of those and more.


His music was sweaty and complex, disciplined and wild, lusty and socially conscious. Beyond his dozens of hits, Mr. Brown forged an entire musical idiom that is now a foundation of pop worldwide.

“I taught them everything they know, but not everything I know,” he wrote in an autobiography.

The funk Mr. Brown introduced in his 1965 hit “Papa’s Got a Brand New Bag,” was both deeply rooted in Africa and thoroughly American. Songs like “I Got You (I Feel Good),” “Cold Sweat,” “Get Up (I Feel Like Being a) Sex Machine” and “Hot Pants” found the percussive side of every instrument and meshed sharply syncopated patterns into kinetic polyrhythms that made people dance.

Mr. Brown’s innovations reverberated through the soul and rhythm-and-blues of the 1970s and the hip-hop of the next three decades. The beat of a 1970 instrumental “Funky Drummer” may well be the most widely sampled rhythm in hip-hop.

Mr. Brown’s stage moves — the spins, the quick shuffles, the knee-drops, the splits — were imitated by performers who tried to match his stamina, from Mick Jagger to Michael Jackson, and were admired by the many more who could not. Mr. Brown was a political force, especially during the 1960s; his 1968 song “Say It Loud — I’m Black and I’m Proud” changed America’s racial vocabulary. He was never politically predictable; in 1972 he endorsed the re-election of Richard M. Nixon.

Mr. Brown led a turbulent life, and served prison time as both a teenager and an adult. He was a stern taskmaster who fined his band members for missed notes or imperfect shoeshines. He was an entrepreneur who, at the end of the 1960s, owned his own publishing company, three radio stations and a Learjet (which he would later sell to pay back taxes). And he performed constantly: as many as 51 weeks a year in his prime.

Mr. Brown was born May 3, 1933, in a one-room shack in Barnwell, S.C. As he would later tell it, midwives thought he was stillborn, but his body stayed warm, and he was revived. When his parents separated four years later, he was left in the care of his aunt Honey, who ran a brothel in Augusta, Ga. As a boy he earned pennies buck-dancing for soldiers; he also picked cotton and shined shoes. He was dismissed from school because his clothes were too ragged.


He was imprisoned for petty theft in 1949 after breaking into a car, and paroled three years later. While in prison he sang in a gospel group. After he was released, he joined a group led by Bobby Byrd, which eventually called itself the Flames. At first, Mr. Brown played drums with the group and traded off lead vocals with other members. But with his powerful voice and frenzied, acrobatic dancing, he soon emerged as the frontman.

In 1955 the Flames recorded “Please Please Please” in the basement studio of a radio station in Macon, Ga. A talent scout heard it on local radio and signed the Flames to a recording contract with King Records. A second version, recorded in Cincinnati in 1956, became a million-selling single.

Nine follow-up singles were flops until, in 1958 a gospel-rooted ballad, “Try Me,” went to No. 1 on the rhythm-and-blues chart. Mr. Brown followed up with more ballads, although the Flames’ stage shows would turn them into long, frenzied crescendos. His trademark routine of collapsing onstage, having a cape thrown over him and tossing it away for one more reprise, again and again, would leave audiences shouting for more.

In 1960 Mr. Brown’s version of “Think” put a choppy, Latin-flavored beat — hinting at the funk to come — behind a sustained vocal and pushed him back into the R&B Top 10 and the pop Top 40.

Mr. Brown had his first Top 20 pop hit in 1963 with “Prisoner of Love,” a ballad backed by an orchestra. But before those sessions he had done a series of shows at the Apollo Theater in Harlem and the one on Oct. 24, 1962, was recorded. His label had not wanted to record the shows; Mr. Brown insisted. Released in 1963, “Live at the Apollo” — with screaming fans and galvanizing crescendos — revealed what the rhythm-and-blues circuit already knew, and became the No. 2 album nationwide.

James Brown and the Famous Flames toured nonstop through the 1960s. They were filmed in California for the “The T.A.M.I. Show,” released in 1965, which shows Mick Jagger trying to pick up Mr. Brown’s dance moves.


By the mid-1960s Mr. Brown was producing his own recording sessions. In February 1965, with “Papa’s Got a Brand New Bag,” he decided to shift the beat of his band: from the one-two-three-four backbeat to one-two-three-four. “I changed from the upbeat to the downbeat,” Mr. Brown said in 1990. “Simple as that, really.”

Actually it wasn’t that simple; drums, rhythm guitar and horns all kicked the beat around from different angles. “Papa’s Got a Brand New Bag” won a Grammy Award as best rhythm-and-blues song, and it was only the beginning of Mr. Brown’s rhythmic breakthroughs. Through the 1960s and into the ’70s, Mr. Brown would make his funk ever more complex while stripping harmony to a bare minimum in songs like “Cold Sweat.” He didn’t immediately abandon ballads; songs like “It’s a Man’s Man’s Man’s World,” a No. 1 R&B hit in 1966, mixed aching, bluesy lines with wrenching screams.

Amid the civil rights ferment of the 1960s Mr. Brown used his fame and music for social messages. He released “Don’t Be a Dropout” in 1966 and met with Vice President Hubert H. Humphrey to promote a stay-in-school initiative. Two years later “Say It Loud — I’m Black and I’m Proud” insisted, “We won’t quit movin’ until we get what we deserve.”

When the Rev. Dr. Martin Luther King Jr. was murdered in 1968, Mr. Brown was due to perform in Boston. Instead of canceling his show, he had it televised. Boston was spared the riots that took place in other cities. “Don’t just react in a way that’s going to destroy your community,” he urged.

By the late 1960s Mr. Brown’s funk was part of pop, R&B and jazz: in his own hits, in songs by the Temptations and Sly and the Family Stone, and in the music of Miles Davis. It was also creating a sensation in Africa, where it would shape the Afrobeat of Fela Kuti, the juju of King Sunny Ade and the mbalax of Youssou N’Dour.

Musicians who left Mr. Brown’s bands would also have a direct role in 1970s and 1980s funk; the saxophonist Maceo Parker, the trombonist Fred Wesley and the bassist Bootsy Collins were part of George Clinton’s Parliament-Funkadelic, and Mr. Parker also worked with Prince.

Through the early 1970s Mr. Brown’s songs filled dance floors. His self-described “super heavy funk” gave him No. 1 R&B hits and Top 20 pop hits with “Give It Up or Turnit a Loose” and “Mother Popcorn” in 1969, “Super Bad Pts. 1 & 2” in 1970, “Hot Pants” and “Make It Funky” in 1971, “Get on the Good Foot Pt. 1” in 1972 and “The Payback Pt. 1” in 1974. He provided soundtracks for blaxploitation movies like “Black Caesar” and “Slaughter’s Big Rip-Off,” and performed at the 1974 “Rumble in the Jungle” boxing match between Muhammad Ali and George Foreman in Zaire.

The rise of disco — a much simplified version of Mr. Brown’s funk — knocked him out of the Top 40 in the late 1970s. But an appearance in “The Blues Brothers” in 1980 started a career resurgence, and in 1985 Mr. Brown had a pop hit, peaking at No. 4, with “Living in America,” the song he performed in the movie “Rocky IV.” It won him his second Grammy Award for Best Rhythm and Blues Recording. That year he was inducted into the Rock and Roll Hall of Fame as one of its first members.

Meanwhile hip-hop had arrived, with Mr. Brown’s music often providing the beat. LL Cool J, Public Enemy, De La Soul and the Beastie Boys are among the more than 100 acts that have sampled Clyde Stubblefield’s drumming on “Funky Drummer” alone. In 1984 Mr. Brown collaborated with the influential rapper Afrika Bambaataa on the single “Unity.” He kept recording into the 21st century, including a 2002 studio album, “The Next Step.”

Mr. Brown maintained a nearly constant touring schedule despite a tumultuous personal life. During the 1970s the Internal Revenue Service demanded $4.5 million in unpaid taxes; the jet and radio stations were sold. His oldest son, Teddy, died in a car accident in 1973.

In 1988, intoxicated on PCP, he burst into an insurance seminar adjoining his own office in Augusta, then led police on a car chase across the South Carolina border. He was sentenced to prison for carrying a deadly weapon at a public gathering, attempting to flee a police officer and driving under the influence of drugs, and was released in 1991.

In 1998 after discharging a rifle and another car chase, he was sentenced to a 90-day drug rehabilitation program. He was officially pardoned by South Carolina in 2003, but arrested again in 2004 on charges of domestic violence against his fourth wife, Tomi Rae Hynie, a former backup singer. “I would never hurt my wife,” he said in a statement at the time. “I love her very much.”

She survives him, along with their son, James Brown II, and at least five other children.

In 1999, Mr. Brown made a deal to receive more than $25 million in bonds against advance publishing royalties. This year, however, he sought to refinance the bonds with a new loan. The banker who had made the original deal, David Pullman, objected to the terms, and Mr. Brown filed a lawsuit against him in July.

But Mr. Brown’s status as an American archetype had long since been assured. A definitive collection, “Star Time” (Universal), was released in 1991. He received a Grammy Lifetime Achievement Award in 1992 and a Kennedy Center Honor in 2003, the same year that Michael Jackson presented him with a BET Award for lifetime achievement. In a 1990 interview with The New York Times, he said, “I was always 25 years ahead of my time.”

A correction was made on

Dec. 27, 2006


An obituary yesterday about James Brown misidentified the Georgia city where he took part in an annual Christmas toy giveaway on Friday. It was Augusta, not Atlanta. It also misstated the year in which he led the police on a car chase across the Georgia-South Carolina border. It was 1988, not 1987.

How we handle corrections

John O’Neil contributed reporting.




How old was James Brown when he died in 2006? ›

Officially, Brown died of a heart attack and fluid in his lungs at age 73 in a hospital in Atlanta in the early hours of Christmas Day 2006. Officially, only his personal manager, Charles Bobbit, was with him at the end.

How much is James Brown worth? ›

Bouknight estimated it at only around $5 million, while previous executor Adele Pope placed it at $84 million. Bauknight told the Times his figure was consistent with the value of the estate at the time of Brown's death as estimated by expert advisors, although Pope's ultimately proved closer to the actual sale price.

Why is James Brown considered the Godfather of Soul? ›

James Brown set the standard for dynamic live performance in American music. Inspired by preachers in the Black church, Brown started out singing in gospel quartets. As the "Godfather of Soul," he transmuted gospel into secular music centered in the emotional conduit of the soul singer.

What happened between Bobby Byrd and James Brown? ›

Brown's relationship with Byrd seesawed frequently: Byrd would leave, Brown would beg him to come back, and Byrd usually would. Around the time of Brown's death, however, Byrd (who died just nine months later) was still suing him for royalties.

How long did James Brown stay out before he was buried? ›

"He wanted our home – a 230-acre estate on Beech Island in South Carolina – to be turned into a living memorial, like Graceland. That's where he wanted a proper mausoleum." Brown died of congestive heart failure in December 2006. His body remained on ice for more than two months before he was finally laid to rest.

What is James Brown mystery? ›

Hollander is a songwriter who met Brown in the 1980s. In “The James Brown Mystery,” Lake and Hollander explore looming questions about Brown's death and other deaths in his circle. The duo finds themselves investigating secrets, intimidation, and possible murder.

Who inherited James Brown's money? ›

Therefore, only James Brown's grandchildren and the scholarships are the beneficiaries of his estate. This leaves his grandchildren with an estimated $2 million, and the trust will receive the bulk of what is left. The scholarship trust will help kids in South Carolina, where Brown was born.

What was Michael Jacksons net worth? ›

It was the eighth year since his death that Jackson's annual earnings were reported to be over $100 million, thus bringing Jackson's postmortem total to $2.4 billion.

Did James Brown own a jet? ›

Yet, there's one title he's known for that has nothing to do with his iconic stage performances, but highlights the fact that he defied the odds. When The King of Soul purchased a Learjet 23 in 1966, he became the first Black American to own a private jet.

Who was more popular James Brown or Elvis? ›

According to Walter Scott, "both had their first hits in the mid-1950s, and Elvis went on to become the biggest rock star of the 20th century. But we think Brown had a bigger impact on music. He was instrumental in combining gospel and rhythm & blues-leading to soul, rap, funk and hip-hop.

Who was once known as the King of Soul and now as the godfather of soul? ›

James Brown had an extensive array of nicknames, including “Soul Brother Number One, ”The Godfather of Soul,” and “The Hardest Working Man in Show Business.”

Who is considered the queen of soul? ›

Aretha Franklin was a giant of popular music and a global cultural icon. One of the best-selling musical artists of all time, with more than 75 million records sold worldwide, the undisputed “Queen of Soul” created an amazing legacy of more than six decades.

Why was Bobby Brown kicked out of funeral? ›

He looked upset as he left the service. Now, we know why. Brown says in a statement released Saturday afternoon that he and his children were seated but asked repeatedly to move. The New Edition singer says he left because he didn't want to create a scene.

Did Bobby Brown go to his daughter's funeral? ›

LONDON: Singer-songwriter Bobby Brown said his "final private goodbye" to his daughter Bobbi Kristina when he visited her funeral home a day before her funeral. Bobbi Kristina's funeral took place yesterday.

Did Bobby Byrd sue James Brown? ›

and Rakim's use of Byrd's 1971 song “I Know You Got Soul” in 1987. In 2003, Byrd sued Brown and his record label for unpaid royalties on songs he said he wrote, including the breakout 1956 single “Please, Please, Please.” The lawsuit was dismissed because the statute of limitations had expired.

Who is the king of soul? ›

He's been called the King of Soul, but Sam Cooke was much more than that. The Son of a Church of Christ minister, he found fame in 1950s Chicago, as lead singer with the renowned gospel quartet The Soul Stirrers.

What was Jim Brown's net worth at death? ›

What was Jim Brown's Net Worth? Jim Brown was an American former professional football player and actor who had a net worth of $30 million at the time of his death.

How old was Michael Jackson when he died? ›

On June 25, 2009, American singer Michael Jackson died of acute propofol intoxication in Los Angeles, California, at the age of 50.

What did James Brown call himself? ›

Brown did not only call himself "the hardest working man in show business." He also went by "Mr. Dynamite," "Soul Brother No.

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